January 30, 2006

Something for nothing

Posted by Stacy Chandler at January 30, 2006 7:50 AM

You know, I think there's plenty that record labels do wrong these days. Like suing little kids and grandmothers for file-sharing. Like putting "anti-piracy" software on CDs that renders the CDs a pain in the ass to us law-abiding music buyers. Like signing Avril Lavigne. But every now and then, by gum, the record companies -- even the bigs! -- do something right. One shining example? Those yummy free sampler CDs they plant in record stores (usually the indie kind).

I thought when I moved to Japan, and thus had to buy most of my CDs via the Internet rather than in stores, I'd given up the joy of finding sampler CDs stacked by the counter and here and there, of pausing in my shopping to study each to find some bands I'd heard of and some I'd been wanting to check out. And a bunch whose names didn't ring a bell but held the potential to become favorites. But my boys at Horizon Records would not deny me this joy, nay. Lately when I place an order with those guys (which I do by sending an e-mail to an actual person, who actually fills up my box and takes it to the actual post office hisownself), I find little surprises tucked in. Like the gift of sampler CDs!

My last haul had not one, but two samplers that turned out really excellent. One was called "Holiday Hangover '05" from RCA Music Group. This one was chock full o' sweet tracks, like "Juicebox" from The Strokes and -- my favorite -- a B-side from Black Rebel Motorcycle Club's "Howl" called "Mercy." But it also had some good stuff from artists I'm not so familiar with, like Imogen Heap and Judd and Maggie. The other sampler I discovered with my order was the excellently named "Reverend Rico's Travelling Roadshow" from Nettwerk. I was more familiar with the bands on this one -- including The Be Good Tanyas, Erin McKeown and Old Crow Medicine Show -- but there were still some delightful discoveries to be made.

Maybe somewhere out there, on that great big thang we call the Internet, there's a directory of sampler CDs, when they come out and where to get 'em. But I ain't interested if there is. Half the fun is coming across them unexpectedly and getting the feeling -- so, so rare these days when you're talking about the music biz -- that you're guiltlessly getting something good for free. Don't you think?

Comments

Samplers rock! They are a great source of new music or a good way to get a jump on music you're waiting for. The recent Dualtone sampler had two BR549 tracks on it, well in advance of "Dog Days." If I see any freebies at the record store, I'll be sure to grab you some and drop them in the mail.

Posted by: Sean at January 30, 2006 3:28 PM

I'm curious as to your opinion of Imogen Heap. While I'm intrigued by the fusion of electronica with pop-folk elements, I'm nonetheless turned off by her insistence of using a vocoder for her vocals. Call me a traditionalist, for that's what I am, but I really feel as if there are some recording techniques used in music today which are more or less tainting the waters.

Posted by: Chris at January 30, 2006 5:46 PM

Yeah, you know ... I like her voice, her vibe. And I was all set to buy her CD -- until I heard some samples and got all turned off by the vocoder stuff. It's really a shame, because it's not like her voice needs a gimmick like that!

Posted by: stacy at January 31, 2006 2:06 AM

Is it a gimmick, or is it art?

Posted by: Jim Pipkin at January 31, 2006 7:29 AM

On gimmicks and tradition:

"Gibson expressed interest in the deal, but their representative made no effort to hide his opinion that the Dobro was not a real guitar, but a gimmick."

-- http://www.vintageguitar.com/brands/details.asp?ID=74)

I don't have much interest in vocoder vox, but the more I look into the obsolete musics I love to listen to, the less I believe that there's such a thing as authenticity or tradition.

Posted by: B. Earnest at January 31, 2006 9:24 AM

Nettwerk is a great label. I just posted an interview I did last week with Nettwerk's director of Sales and Marketing, Erin Kinghorn. Erin talks about the culture at Nettwerk, as well as the careers of Sarah, Avril, and other Nettwerk artists. Check it out!

http://www.beyondmadisonavenue.com/2006/01/bma-interview-with-nettwerks-erin.html

Posted by: Mack Collier at January 31, 2006 10:27 AM
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