May 29, 2006
Chatham County Line: Speed of the Whippoorwill
Posted by Stacy Chandler at May 29, 2006 6:54 PMChatham County Line
Speed of the Whippoorwill
Yep Roc
I've tried starting this review about five different ways, but none of them are going anywhere. Which is frustrating, as pretty much everything about Chatham County Line themselves is about going somewhere.
Maybe it's going home to one's sweetheart, or to prison, or on tour, or fishing, or to "that waiting paradise" -- but there's always the feeling of going, and "Speed of the Whippoorwill" (out May 30) is an exploration of the good things and bad things that go along with following where life takes you. All through the mighty fine medium of bluegrass.
The album's highlight -- probably the best song I've heard all year --is its title track, a gorgeous song about the ache of being separated from your love because of stupid crap like work. Dave Wilson's vocals are beautiful -- straightforward and simple, and probably because of that packed with sincerity. But the rest of the band is just as important in this (and almost every) song. Chandler Holt's banjo work here is tender (not a word I use much when I'm talking about banjo ...) and inspired melodically by a whippoorwill's song. Sounds cheesy, but I promise it's not. It's subtle, and it's lovely.
Throughout the disc, John Teer plays the hell out of his mandolin and fiddle -- he's sensational without being annoyingly showy. He's good at what he does (really, REALLY good), and he prefers to let you see it, rather than chasing you down, sitting on your chest and forcing you to admire.
I think that's sort of what makes Chatham County Line such a great band, and such a consistent band. The band has no stars, and no weak links. More than almost any other band I've seen, they work as one. They work together, taking solos and having fun, but always coming back to cohesion. Proof? When performing live they use one big mic, coming forward and hanging back as necessary. They look at each other a lot during a performance, and not just for cues -- they seem to genuinely enjoy playing together, and to appreciate each other's strengths. And that comes through in their recorded work.
CCL's "Route 23" was on the best-of-2005 list for both me and HW.org's Larry. I can't speak for Larry, but "Whippoorwill" is definitely a strong contender for my best-of-2006 list. While the album is all about moving (whether in the song's themes or the fact that most of the CD makes you want to dance around a little or at least bob your head), one direction it's not headed is off my heavy rotation pile.
I'm *really* enjoying this album, probably the best (of MANY) that I bought at Merlefest 2006. I'm also a very vocal fan of John Teer. He's an amazing fiddler, whew!
Stacy, I like that you called out how they're great but not about "beating you over head with how great they are." It's a mature trait -- confidence, sincerity. I appreciate it, and not all of the bands in this age category and genre get that.
*cough* dobro-player from Biscuit Burners *cough* *cough*
Excuse me... as I was saying... great album, definitely one of the best contemporary Bluegrass albums I've heard in a long while. (But I admit that CCL's selft-titled first album is still my favorite of theirs.)
Posted by: larry at May 29, 2006 11:33 PMI love this band!! This reviewer is totally on the money. CCL has so much to offer to many different types of music lovers. They are aggressive and energetic w/o being overwhelming. They are very tender w/o being sappy. Great songs and always interesting arrangements. Kudos!!
Posted by: charles at June 5, 2006 12:36 PM